148 безплатни аудиофайлове за "C Sharp"

Nocturne No. 20 in C-sharp minor, Op. posth.

C-sharp melodic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Seventh sharp nine chord on C. Created using Sibelius.

Recording of a symphonic brass chime, note c#.

C♯ natural minor scale ascending and descending.

Four different timbres.

Schubert; Moments musicaux, no. 4 In C Sharp Minor

Electric guitar, minimal distortion based on c sharp with an almost power chord like single note performance until the break.

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Snippets from recordings of me playing the tanpura. Tuned to c sharp, the notes from top to bottom are g sharp, a sharp, c sharp, low c sharp. In traditional indian tuning the c sharp is the root note (first note in the scale) and referred to as sa. The fifth note (g sharp in this scale) is referred to as pa and the sixth note (a sharp) is dha. The pack contains recordings of the more traditional pa-sa-sa-sa type rythmns, as well as some experimenting with short bass lines, riffs and slap bass drones!. Before you say "a tanpura should not be played in such a way" please be comforted by the fact that this is not a traditional tanpura (and will never sound or be able to be played exactly like a traditional tanpura) it is part of the swar sangam, which combines the four drone strings of the tanpura with 15 harp strings. I am only playing the tanpura part in these recordings.

Frédéric Chopin - Scherzo no. 3 in C-sharp minor, op. 39 (Martha Argerich, 1962)

Alice Gi-Young Hwang plays Chopin's Scherzo no. 3 in C sharp minor, Op. 39